Hannah Diviney

Chanel's new book is a manifesto full of personal stories, cutting-edge research and harrowing evidence, all about unpacking where we are in terms of the complex minefield that can be consent.

There's a shared understanding throughout our conversation about the significance of Decks as a character in Eddie's Lil Homies that between us could remain unsaid, but I have to ask.

Beyoncé has announced that she's releasing a country-inspired album, the second instalment of Renaissance, next month - all during Verizon's Super Bowl commercial.

Overall, the Grammys were a glorious celebration of women in music and a sign that disrespecting or doubting and trivialising female storytelling is something to be done at your peril. Watch out, women ARE the music industry.

Ultimately, this is the kind of book that will have you staring into space after you finish it. As one Goodreads user so eloquently put it, "This book was beautiful but destroyed me and now I don't know what to do or think or say to anyone." I do. Read this book now.

With diverse people in control, who are at least in part led by lived experience (Raymund's character Jackie Quiñones' struggle with sobriety is informed by Cutter's own), representation feels natural. It's less about ticking a box or making a point and just about letting people exist in the world as they are.