Hannah Diviney on her Audrey character, representation and premiering the film at SXSW
“I want everyone in the industry who knows about Audrey – because of the festival – to commit to hiring more disabled creatives both in front of and behind the camera.”
Lily Gladstone’s Oscars snub is another reminder that only two WOC have ever won Best Lead Actress
That’s not to say that Emma Stone’s Poor Things performance wasn’t Oscar-worthy, but rather that it’s hard to ignore what Gladstone winning would have signified for Indigenous representation.
‘Hard times that nobody knew about’: Jennifer Lopez reflects on her rawest performance yet in ‘This Is Me Now… A Love Story’
The singer opens up about owning the narrative about her journey of love, heartbreak and finding herself.
Jane Harper on how women are ‘the whole catalyst’ of The Dry 2’s compelling story
Writer Jane Harper and producer Jodi Matterson take us behind the scenes of the film adaptation of The Dry 2: Force of Nature.
Director Milena Bennett on complicated friendships, women in film and…Barbenheimer
The Australian writer and director is on the rise with a new short film that beautifully captures friendship and connection.
New Film 'The Royal Hotel' Digs Deep Into The Uncomfortable Behaviour Women Face Daily
Australian director Kitty Green's outback thriller forces us to ask ourselves: 'How much should women put up with and when should we get out?'
Hannah Diviney on Barbie
Missing Perspectives Editor-in-Chief reflects on how the film is a love letter to femininity and masculinity in equal measure.